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Clogs are a mostly instrumental project led by Bryce Dessner and Australia’s Padma Newsome, both men familiar from their membership in the acclaimed rock band, The National. But don’t call Clogs a side project. Their existence predates The National, and Clogs have released four widely acclaimed albums — a highly melodic debut Thom’s Night Out (Brassland 2001), then the experimental polyphonies of Lullaby For Sue (Brassland 2003), the minimalist explorations of Stick Music (Brassland 2004), and 2005’s Lantern (Brassland).

When Clogs formed they were an oddball ensemble in indie rock clothing. Today, however, they’re at the forefront of a scene including friends in groups The Books, Rachel’s, and Bell Orchestre.

Clogs are Newsome (viola/violin/melocica/voice/piano), Bryce Dessner (guitar/ukelele), Rachael Elliott (bassoon/melodica), and Thomas Kozumplik (percussion). They met in the late-90s while studying at the Yale School of Music. Newsome started his career as a concert violinist in the Sydney Symphony Orchestra, before a six-year detour took him to an ashram in the remote region of New South Wales. He began composing in the 90s at the University of Adelaide, when he was awarded a Fulbright scholarship that brought him to America. Dessner is an established soloist, and veteran of groups including Bang on a Can All-Stars, which has given him in contact with major figures like Philip Glass and Terry Riley. Elliott is a proud Vermonter and active freelance musician. Kozumplik is a master percussionist familiar with most any style.
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