Part III – Adagio molto e cantabile – is marked by a different atmosphere than the previous parts, so we are under the impression that a new cycle begins. This is a moment of great lyricism, from which the composer eliminates any trace of doubt and conflict. The first theme can be considered a coral on a melodic construction, rendered by the chord instruments, and then followed by a secondary theme with a different structure (in ternary meter). It has a dancing disposition resulted from the removal of certain motifs, giving the impression of an " infinite, elliptical melody
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Part III – Adagio molto e cantabile – is marked by a different atmosphere than the previous parts, so we are under the impression that a new cycle be… read more
Part III – Adagio molto e cantabile – is marked by a different atmosphere than the previous parts, so we are under the impression that a new cycle begins. This is a moment of great lyric… read more
Ludwig van Beethoven (16 December 1770 – 26 March 1827) was a German pianist and composer of the transitional period between the late Classical and early Romantic eras. He is often regarded as one of the most brilliant, prolific and influential composers of all time. Beethoven is widely regarded as a master of musical construction, sometimes sketching the architecture of a movement before he had decided upon the subject matter. He was one of the first composers to systematically and consistently use interlocking thematic devices, or 'germ-motives', to achieve unity between… read more
Ludwig van Beethoven (16 December 1770 – 26 March 1827) was a German pianist and composer of the transitional period between the late Classical and early Romantic eras. He is often regarded… read more
Ludwig van Beethoven (16 December 1770 – 26 March 1827) was a German pianist and composer of the transitional period between the late Classical and early Romantic eras. He is often regarded as one of the most brilliant, prolific and in… read more