"'Play The Ghost' is the first song I've written in the traditional sense," says Davachi, having started working on it early in January 2019. "The electric organ, a Hammond B3 tone, is very much present in the background but I would say that this is a song written for piano; the chord structures are pretty idiomatic to that way of working. "The lyrics came months later and were actually inspired by Bergman's holiday ghost story classic, Fanny & Alexander. I wanted the vocals to exist within the texture of the mix, and the thing that excite… read more
"'Play The Ghost' is the first song I've written in the traditional sense," says Davachi, having started working on it early… read more
"'Play The Ghost' is the first song I've written in the traditional sense," says Davachi, having started working on it early in January 2019. "The electric … read more
Sarah Davachi (b. 1987, Calgary, Canada) holds a bachelor's degree in philosophy from the University of Calgary, and a master's degree in electronic music and recording media from Mills College in Oakland, California. As a composer of electronic and electroacoustic music, Davachi's compositional projects are primarily concerned with disclosing the antiquated instruments and forgotten sonics of a bygone era in analog synthesis, with concurrent treatment of acoustic sources – particularly organ, piano, strings, and woodwinds – often involving de-familiarization through … read more
Sarah Davachi (b. 1987, Calgary, Canada) holds a bachelor's degree in philosophy from the University of Calgary, and a master's degree in electronic music and recording media from… read more
Sarah Davachi (b. 1987, Calgary, Canada) holds a bachelor's degree in philosophy from the University of Calgary, and a master's degree in electronic music and recording media from Mills College in Oakland, California. As a co… read more